Zachary Karabashliev
BGEN
Books

Books

Five novels, a novella, stories and essays, plays, a children’s book and the anthologies he edited. Translated and published in more than ten countries.

Novels

Other literary works

Thirstnovella 2018 Not Such a Short History of the Airplanestories and essays 2019 A Short History of the Airplaneshort story collection 2009 Symmetryshort story collection 2011
Fairytaleillustrated children’s book (co-author) 2010
Recoilcollection of stage plays 2010
Loves Me, Loves You Notshort story collection (editor and author) 2014
Overcomingshort story collection (editor and author) 2015
Our Christmasstory collections (2022, 2023, 2024, 2026), editor and author 2022–2026

Translations and rights

His works have been translated and published across multiple territories including the United States, France, Germany, Poland, Turkey, Egypt, Slovakia, Croatia, Serbia, and North Macedonia.

Featured in the American anthology Best European Fiction 2018. The Last Dolphin Hunter and Havra have complete English translations.

United StatesFranceGermanyPolandTurkeyEgyptSlovakiaCroatiaSerbiaNorth Macedonia

International publishers include

  • Open Letter Books (USA)
  • Dalkey Archive (USA)
  • Éditions Intervalles (France)
  • Książkowe Klimaty (Poland)
  • HenaCom (Croatia)
  • Vydavateľstvo SSS (Slovakia)
  • Antolog (North Macedonia)
Rights enquiry →

18% Gray around the world

International editions

18% Gray around the world: United States
United States
18% Gray around the world: France
France
18% Gray around the world: Poland
Poland
18% Gray around the world: Slovakia
Slovakia
18% Gray around the world: Croatia
Croatia

Bulgarian editions

Bulgarian editions Bulgarian editions Bulgarian editions Bulgarian editions Bulgarian editions Bulgarian editions

Selected reviews

Karabashliev entered Bulgarian literature at the beginning of the century to become part of its renewal and one of its most read writers. His talent as a storyteller is combined with a broad and engaged view of the world. He is a writer who has an eye for the contemporary and for the big canvas of the historical, masterfully interweaving the two perspectives in his novels.
Georgi Gospodinov, winner of the 2023 International Booker Prize
In Havra, Zachary Karabashliev interweaves a gorgeously fictionalized story of Januarius MacGahan, a late 19th-century American war correspondent crucial to Bulgaria’s liberation from the Ottoman Empire, with a painfully realistic pulp fiction tale of 20th-century mafia war after the fall of socialism. With a fresh balance of wit, vulnerability, and fast-paced action, this novel illustrates how the dormant seeds of the past have sown the barren fields of our political and personal present.
Angela Rodel, winner of the 2023 International Booker Prize · Havra
Zack takes off on a transcontinental journey with a new camera, rediscovering his passion and undergoing a personal revelation… Karabashliev is fast-paced, quick-witted, and filled with humor in his perspective of a Bulgarian living the drab American Dream.
Publishers Weekly · 18% Gray
It’s hard not to read 18% Gray as a love letter to the great American novel. The great American novel as interpreted by a Bulgarian author.
Tara Olmsted, Necessary Fiction · 18% Gray
The Tail is a book defined in many ways: a political thriller, an anti-utopia of the present, a parable about the corruption of power. It is above all a conceptual novel. It is no coincidence that it begins with a quote from Plato. It reads lightly and engagingly, not because of the plot, but rather because of Karabashliev’s mesmerizing language, rich without being kitschy, erudite without being intrusive. For any enthusiast on the subject of signs and symbolism, The Tail is a feast.
Ariadne Vex, Shadow Dance · The Tail
But this novel is so much more than that, it’s so much more than anything we’ve known before. This novel is about personal and communal wounds, about open and bleeding wounds and the stories behind them. Rather, World War I and the two wars that preceded it are the canvas on which Zachary paints a personal and touching story in detail.
Brigitte Marcuso, Literary Journal on Wound
Zachary Karabashliev’s writing is fearless, raw, and beautiful. 18% Gray makes it impossible to look away . . . not that you’d want to.
Maya Sloan, author of High Before Homeroom · 18% Gray

Reviews in English